THE 100 GREATEST FILMS OF ALL TIME – 88: NIGHT AND FOG

by Laurent Kelly

Night and Fog  – Director: Alan Resnais     Screenplay: Jean Carol   Starring: Michael Bouquet (narrator) Archive footage of Reinard Heyrich,  Heinrich Himmler, Adolf Hitler and Julius Streicher

Night and Fog is a remarkable documentary for adopting a rare subtle approach to the Holocaust  subject matter. This isn’t about a child crying two inches away from the camera or providing  melodramatic images from the concentration camps. Rather it is a film which makes us think about  a complex subject which requires deep thought.

A series of images and video clips are accompanied by a narrator who tells us the story of the Holocaust and it is  the manner in which the story is told which is so impressive. Rather than attempting the impossible task of trying to encapsulate the entire horrible experience the documentary instead acknowledges the difficutly of this task by asking questions  as opposed to trying to answer them. The camera  trails through the places where the horror happened as the narrator struggles to imagine the terror that
took place there. Poetic language is used  to try and sum up the thoughts of those who endured the horror but whenever it feels as if we are being given a representation of the event the documentary returns to the present and reestablishes the fact that the true nature of the Holocaust is impossible to comprehend.

The documentary also does a fantastic job of making the victims feel three-dimensional in a bid to show us see how families much like our own were so suddenly subjected to such torment. It is the sensitivty at the heart of the film and the awareness of the topic that makes Night and Fog such an incredible  achivement. 

                                                                                                                                                                                                                                                                          DID YOU KNOW? The word Jew is barely used in the film. This is because Resnais wanted the documenary to reflect the inhumane nature of all wars and in particular to reflect on the French intervention in Algeria which was taking place at the time of the film’s release.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s